Hi, I’m Noah, a designer intrested by the nuances of typography and editorial design. I gravitate more towards longer projects that allow for in depth research experiences, shaping my design choices. My design isn't confined to a singular medium; instead, it flexibly adapts to align with each conceptual objective. Fascinated by the interplay of form and function within editorial design, I’m interested in exploring the tactile qualities of paper, printing and binding techniques, using them to inform design decisions and enrich the narrative of each project.
Hi, I’m Noah, a designer intrested by the nuances of typography and editorial design. I gravitate more towards longer projects that allow for in depth research experiences, shaping my design choices. My design isn't confined to a singular medium; instead, it flexibly adapts to align with each conceptual objective. Fascinated by the interplay of form and function within editorial design, I’m interested in exploring the tactile qualities of paper, printing and binding techniques, using them to inform design decisions and enrich the narrative of each project.
-> The Peaceful Atom
In response to the ISTD 'Big Data' brief, I investigated the Chernobyl disaster and its vast data landscape. These statistics and personal accounts have contributed to a murky comprehension fuelled by myths and media propaganda. The publication pairs both anecdotes and infographics, highlighting these many contradictions. The project intentionally utilises abnormally long line lengths and tight margins, reflecting the soviets obsession with efficiency. Most importantly each page is designed to capture the look of a daunting, redacted soviet document, possibly full of state secrets.
Awarded Commendation by the International Study of Typographic Design (ISTD)